Petramadalena creates unique, sculptural furniture pieces that combine art and practicality, helping people shape spaces that truly feel like home.
The modern living room bookcase has shifted from background storage to foreground object. The best pieces today are designed first as sculptures and second as shelves, with proportions, materials, and silhouettes that hold their own in an interior. Placement, height, material, and styling all matter – and the difference between a bookcase that disappears and one that anchors a room is almost always a question of design intent. Petra Madalena works in this territory, sculptural bookcases designed by the studio and crafted in Lithuania, each adjustable to your choice of veneer and dimensions.
A truly modern bookcase is defined by its form first and its function second. Where traditional bookcases lean on symmetry, carved detail, and dark stained finishes, a contemporary piece treats the bookcase as an object in its own right – something closer to a sculpture than a wall of storage. The silhouette is the design. The grain of the wood is the decoration.
This shift has been driven by how living rooms themselves have changed. Open-plan layouts mean every piece of furniture is visible from multiple angles – the bookcase is no longer hidden from the kitchen or hallway. Good bookcase design now has to read well from any direction, because there is no longer a “back” to the room. That has pushed designers toward pieces that feel three-dimensional – stacked volumes, asymmetric compositions, and quiet plinths that lift the work off the floor like a piece in a gallery.
It has also pushed material expression to the front. A modern piece does not need to apologise for being made of wood. It celebrates the grain, the colour shifts, the small variations that mark a natural material as natural. Burls and figured veneers that would have been considered “too busy” in a traditional context now become the entire point.
The best places to put a bookcase in a living room are behind the sofa, flanking the fireplace or television, in an unused corner, or as a soft divider in an open-plan space. Each of these positions does something specific for the room, and the right choice depends on the architecture of the space and how the bookcase itself wants to be seen.
Placing a bookcase behind the sofa is one of the strongest moves in an open-plan living room. The bookcase frames the seating area, gives the eye somewhere to land, and quietly defines the boundary between “living room” and the rest of the space. A sculptural living room bookcase in this position is read as a backdrop – almost like a piece of art on a wall – which means the form needs to be considered and the styling restrained.
A pair of bookcases flanking a fireplace or TV creates instant symmetry and architectural weight. This is a classic placement for a reason. It anchors the room around a clear focal point and gives the bookcases the visual job of supporting that focal point rather than competing with it. The two pieces do not have to be identical, but they should feel like siblings – similar in height, material, and proportion.
A corner is often the most generous home for a sculptural bookcase. Corners have ninety degrees of empty wall around them, which lets a tall, slim piece breathe. The bookcase becomes a vertical accent rather than competing for horizontal wall space with art or windows. A single column of stacked volumes in a corner can do more for a room than three lower pieces lined up along a wall. For homes where storage and display need to work together in a single piece, you can also combine open shelving with cabinet storage to keep the display clean.
An open-backed bookcase makes an elegant soft divider in studios, lofts, and open-plan apartments. Used this way, the piece has to be beautiful from both sides – which is the whole point of a sculptural design. Air and light still pass through, the two sides of the room still feel connected, and the bookcase does the work of a wall without the weight of one.
A living room bookcase should usually sit between 150 and 215 cm tall – roughly 60 to 84 inches. That range creates real vertical presence and useful storage without crowding the ceiling or pushing the top shelves out of reach. For a standard residential ceiling of around 240 cm, a piece around 165 to 200 cm tall reads as well-proportioned and intentional.
Ceiling height is the first variable to consider. Subtract about 30 to 60 cm from your ceiling height as a maximum, leaving enough air above to keep the bookcase from feeling jammed in. In rooms with low ceilings (under 240 cm), stay closer to 150 to 170 cm – a taller piece in a low room reads as top-heavy and shrinks the space. In rooms with high ceilings (270 cm and above), you can comfortably go to 215 cm or higher.
Here’s what that looks like across the most common ceiling heights:
| Ceiling Height | Recommended Bookcase Height | Clear Air Above | Best For |
|---|---|---|---|
| Low 220 cm (7’2″) |
140-160 cm | 60-80 cm | Apartments, older homes |
| Standard 240 cm (8 ft) |
150-180 cm | 60-90 cm | Most living rooms |
| High 270 cm (9 ft) |
180-215 cm | 55-90 cm | Modern builds, lofts |
| Very high 300+ cm (10 ft+) |
215-250 cm or built-in | 50+ cm | Period homes, double-height spaces |
The second variable is access. The top of a 165 cm bookcase is just within easy reach for most adults. Anything significantly taller will turn the upper shelves into display-only territory, which is fine if that is the intention – sculptural objects, decorative books, a single ceramic. Most of Petra Madalena’s sculptural bookcases, including the Palissandro Santos at 165 cm, sit deliberately in this sweet spot.
A modern bookcase should be made from natural wood veneer chosen for the character of its grain – walnut burl, palissandro, birch, poplar burl, oak, or any veneer that suits the room’s palette. Veneer allows craftsmen to work with rare, figured, and visually rich woods that would be impossible to use in solid form, and it makes every finished piece one of a kind because no two slices of wood share the same grain pattern. A wood bookcase made this way is closer to a fine instrument than to mass-produced furniture.
The wood you choose carries the room with it. Light woods like birch and pale oak open a space up and read as airy and Scandinavian. Mid-toned woods like walnut and palissandro santos bring warmth and depth, and pair particularly well with neutral, art-forward interiors. Burls – poplar burl, walnut burl – introduce movement and pattern, almost like a piece of natural marbling.
There is real evidence that the choice of material matters beyond aesthetics. According to a 2025 systematic review published in Building and Environment, exposure to wood surfaces in indoor environments produces measurable psychophysiological responses linked to relaxation and reduced stress, supporting the biophilic case for natural materials at home. The way wood looks, feels, and even smells engages the body in a way that synthetic materials do not, which is part of why a beautifully made wooden bookcase feels different to live with than a flat-pack one. It is not just nostalgia. It is biology.
You style a bookcase well by leaving real negative space on every shelf, mixing horizontal and vertical book stacks, and treating each compartment as a small still life rather than a row to be filled. The single most common mistake is filling every gap. The second most common mistake is too much variety – too many colours, too many materials, too many small objects competing for attention. Discipline is the styling principle that matters most.
Begin by putting all the books in, then take half of them out again. Most living rooms do not need to hold an entire library – that is what other rooms or closed cabinets are for. The books that stay should be the ones you actually love to look at: hardcover monographs, art books, design references, novels with beautiful spines. Group them by colour or height for a calmer composition, and stack a few horizontally to break the rhythm.
Add objects sparingly and in odd numbers. A single ceramic, a low bowl, a piece of stone, a small sculpture – one strong object per shelf is usually enough. If a shelf already has a stack of books and a horizontal pile, that is the shelf. Move on. For a fuller breakdown of how to compose a sculptural bookcase shelf by shelf, this guide to decorating a bespoke bookcase walks through the process in detail.
The most important rule for styling a sculptural bookcase is to remember that the bookcase is already the design. The form of the piece – its proportions, its silhouette, the grain of its veneer – is doing most of the visual work. Anything you put on it is, in a sense, decoration on decoration. According to research published in a 2024 study in Frontiers of Architectural Research, biophilic environments rich in natural materials and visual restraint are associated with measurable improvements in wellbeing, partly because the eye is asked to process less. A bookcase styled with restraint reads as considered. A bookcase styled to the brim reads as busy.
The Palissandro Santos Bookcase is one of Petra Madalena’s most recognisable sculptural pieces – a stacked composition of five offset volumes in palissandro santos veneer, finished to order. It is a bookcase, but it is read first as an object. Because veneer is sliced from real wood, no two finished pieces are identical. The compact 45 x 45 cm footprint makes it ideal for the corners and edges described earlier, while its 165 cm height puts it firmly in the well-proportioned sweet spot for most living rooms.
A stacked sculptural bookcase finished in palissandro santos veneer. Available in any wood veneer of your choice, with matte, semi-matte, or glossy finishing. Dimensions: 45 x 45 x 165 cm. Designed and crafted in Lithuania, adjustable to your space.
View the PieceThe right modern bookcase changes the way a living room feels. It anchors the seating, gives the eye somewhere to settle, and works as a piece of sculpture in its own right. The best ones are not the ones that hold the most books. They are the ones that read as architecture, that make the room around them feel considered, and that get more interesting the longer you live with them.
That is the territory Petra Madalena works in – sculptural pieces designed and crafted in Lithuania, each adjustable to your choice of veneer, finish, and dimensions, with a 9-week lead time and a single promise: that the piece in your living room will be unlike any other.
Explore the full collection of Petra Madalena bookcases – each one made to order in natural wood veneer.
View BookcasesThe strongest placements are behind the sofa, flanking a fireplace or television, in an unused corner, or as a soft room divider in an open-plan space. Sculptural pieces tend to need a little breathing room around them – they read better as objects when they are not crowded by other furniture.
For most living rooms, 150 to 215 cm tall is the right range. Stay closer to 150 cm in rooms with low ceilings, and go taller in rooms with higher ceilings. As a rule of thumb, leave at least 30 to 60 cm of clear air above the top of the piece.
A bookcase is a freestanding piece of furniture with sides, a base, and multiple shelves designed to stand on its own. A bookshelf is simpler open shelving – sometimes a single shelf, sometimes wall-mounted, sometimes part of a larger unit. Every bookcase contains shelves, but not every shelf forms a bookcase. Sculptural bookcases sit firmly in the first category – they are designed as objects, not just storage.
Leave at least one third of every shelf empty, mix horizontal and vertical book stacks, group objects in odd numbers, and limit the colour palette. With a sculptural bookcase, the form of the piece is doing most of the work – styling should support it, not compete with it.
Tall bookcases – generally anything over 150 cm – should be anchored to the wall, especially in homes with children, pets, or in regions where earthquakes are a concern. Anchoring takes a few minutes and uses simple L-brackets or anti-tip straps that do not damage a well-made piece. Sculptural bookcases with a wide, weighted base are naturally more stable than narrow flat-pack units, but anchoring is still recommended for peace of mind.
Yes – natural wood veneer has been used in fine furniture making for centuries. It allows craftsmen to work with rare, figured, and exceptionally beautiful woods that cannot be used in solid form, and every veneered piece is one of a kind because every slice of wood has a different grain pattern.